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Saturday, February 19, 2011

Cedar Rapids (4/5 Stars)

What happens in Cedar Rapids, stays in Cedar Rapids.



There’s a tendency to think of insurance sales as a nondescript profession and insurance salesmen as stereotypical nondescript people. There’s also a tendency to think of Iowa as a nondescript state. Besides political primaries and corn what else is there? Cedar Rapids happens to be the second biggest city in Iowa. Des Moines, the capital, is top dog. (Although according to inside information I have from a Cedar Rapids native, it is definitely the better city as Des Moines is full of pretentious d-bags.) Enter Tim Lippe, played by Ed Helms, an insurance salesman who has never left his even smaller Iowan town of Brown Valley but is attending for the first time the big insurance sales convention in Cedar Rapids. His excitement is palpable. The hotel the convention is being held in has a pool inside of it. Wow! The best thing about this movie is that it takes all these people that we tend to have a preconceived notion of plain vanilla boringness with and crafts funny, likable, but nevertheless believable characters. I’ve always known in some vague speculation that there are insurance salesmen in Iowa. Well here they are cracking jokes, drinking in excess, and having sex. You know just like real ordinary people. Who knew?
What this movie is, above all, is a Coming-of-Age story. Forget that Tim Lippe is middle-aged; he has spent his entire life in the small town of Brown Valley and is experiencing the big city for the first time. He’s never been on a plane and takes it very seriously that he is in the emergency exit row. When the city’s sole prostitute, Bree (Alia Shawkat), approaches him outside the hotel, asks him for a cigarette, and lets him know that she is down for a party, he thanks her for her friendliness, explains he doesn’t smoke, and offers her a butterscotch candy instead. When he meets his roommate, Ronald (played by Isaiah Whitlock Jr.) he is legitimately surprised that he would be black. He also happens to be completely oblivious that most of the other conventioneers view the experience as a chance to take a vacation and let loose for a change. Tim Lippe on the other hand has a mission. He is on direct orders from his boss to give a presentation that will win the coveted Two Diamonds award. This award stands for ethics, good work, and godliness. In order to accomplish this, his boss gives him one more direction helpful direction: Stay away from Dean Ziegler. A glitch in the hotel room accommodations however allows Tim and Ronald to upgrade to a Junior Suite on the condition that they get another roommate. That third roommate is Dean Ziegler.
The “Deansy” (an affectionate nickname self-given), played by John C. Reilly, is a welcome invasion of constant one-liners and crass buffoonish behavior. You know this person from somewhere. He’s the type of immature loudmouth who makes up for his impolite garish persona with an extremely egalitarian view of friendship. Namely, he’s the type of person who will be friends with anyone who will take shots with him. These types of people, though immature and reckless, happen to lend life a certain sparkle. Who else will convince you to take a swim in the indoor pool (which closed at 11pm) at 3 am in the morning? This complete lack of self-consciousness is on full display in one great comedic scene when The Deansy decides to have a serious heart to heart with Tim and it never occurs to him to think of putting on a shirt first. As he is describing how to dance with the tiger (a loose metaphor for the insurance business) his ample gut his is in full view swaying as it were quite noticeably during his remarkably physical explanation. Here is a man eminently comfortable with himself. John C. Reilly should be commended for his self-less virtuoso performance. Rounding out the gang is Joan, played by Anne Heche, a married woman who is intent on letting what happens in Cedar Rapids stay in Cedar Rapids and Ronald, played by Isaiah Whitlock Jr. who is quite conservative but does have his guilty pleasures. For instance he collects antiques and does a pretty good impression of “Omar” from his favorite TV show HBO’s “The Wire.” Guess which one you get to see him do when the shit gets real.
Movies that employ a good amount of believable, funny, and likable characters tend to attract an accomplished list of supporting actors. This movie is no different. Here we have Sigourney Weaver (Alien, Aliens, Alien 3), Kurtwood Smith (Red from That 70s Show), Alia Shawkat (Maybe from Arrested Development), Rob Corddry (Daily Show, Hot Tub Time Machine), and Stephen Root (No Country for Old Men, Dodgeball) filling in the background of the scenes. All of them have their moments. Nobody in this movie is a huge star but that’s almost required given the subject material. A-list stars don’t really look like insurance salesmen. This you can verify for yourself during the many funny scenes of bare-ass nudity in the picture. Even Anne Heche has some curves where Hollywood Producers usually don’t allow them to be (still good looking). The director Miguel Arteta doesn’t even seem to have any qualms about shooting Ed Helms in a way that captures his double chinniness. That too is kind of a rare thing in movies.   
One strength and weakness of this movie is that it never gets too wacky or surreal. Nothing happens during the weekend of craziness that couldn’t actually happen at a convention. In this way the Comedy never rises to that level of ecstasy, which occurs only when watching the truly ridiculous or shocking things happen. So even though the laughs are consistent, this really isn’t a top-tier comedy. However, because Comedy never overtakes Reality, the characters and story are granted a certain amount of gravity. The screenplay, written by Phil Johnston, is not a satire. The writer actually seems to know a good deal about insurance and Iowa and declines to directly make fun of either. One scene deals with Joan subversively signing up Tim to do karaoke. He decides to sing an insurance sales parody of ‘O Holy Night.’ It’s full of inside jokes and technical language that I’m sure only insurance salesman would fully understand and enjoy. But you should get the jist of it and it should still be quite enjoyable. (Ed Helms: not a bad singer by the way). Tim Lippe may be naïve but the movie is on his side and his Coming-of-Age is infused with a sort of simple dignity. I was reminded about all the best characteristics of “The Office,” and especially that one scene where Michael Scott comments on Pam’s painting at her first art show and simply states, “That is our building…and we sell paper.” Tim Lippe is from the small town of Brown Valley. He sells insurance.

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