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Saturday, November 23, 2019

Jojo Rabbit (4/5 Stars)




In 2006, I visited family friends in Uberach, Germany as a prelude to my study abroad in college. During my time there, I happened be introduced to this little old lady that lived in the village. After she had left the general area, for whatever reason, my hosts informed me that she had been in the Hitler Youth and after the war spent her entire life helping refugees escape from the Soviet Union. Her? Yes, that little old lady with the kind eyes had once been a Nazi. I saw “Jojo Rabbit” the new film by Taika Waititi and thought of her.

“Jojo Rabbit” is about a ten-year-old boy in the Hitler Youth. It is a club like the Boy Scouts. The boys are taken out to the woods by camp counselors where they dress in uniforms, learn survival crafts, and sleep in tents. Not like the Boy Scouts they also burn books, are taught how to handle guns and grenades and are counseled in basic cruelty. One day, Jojo is picked out of the crowd and instructed to strangle a rabbit. Poor Jojo can’t bring himself to do it and all the other boys make fun of him. Jojo runs off into the woods where his imaginary friend comforts him. His imaginary friend is Adolf Hitler or, more accurately, what a timid would-be Nazi boy would imagine Adolf Hitler to be like. Hitler here is played by the Writer/Director himself, Taika Waititi, and well, he is zealous but in a goofy way. He's funny.

Apparently, Taika Waititi adapted this screenplay from a novel. It is hard to believe that the novel is anything like the movie in terms of tone. I expect the novel had a boy in the Hitler Youth and that was about where the similarities end. There is just too much here that seems from the same mind as "Flight of the Conchords" and "Thor: Ragnorak". For whatever reason, Waititi thought it would be appropriate for a native of New Zealand like himself to make this movie. Good for him. We need more filmmakers with balls like that in this day and age. I especially approve of his application of white-face to play Hitler.

 “Jojo Rabbit” is as much of a comedy that a movie with this subject matter could be and still be plausibly respectful. The movie has bright colors, gorgeous weather, and colorful characters. Chewing up the scenery in supporting roles are Sam Rockwell, Rebel Wilson and Stephen Merchant, three inspired casting choices for comic Nazis. Scarlett Johannsson plays Jojo’s mother, Rosie. Thomasin McKenzie plays the jew who is hiding in the walls of the house. Jojo’s discovery of the jew, the first one he has ever actually met, kicks off the movie’s second half.

A storytelling technique that Waititi deftly employs is to limit the information about the war. The audience basically know as much as Jojo and it is only gradually revealed that the Nazis are losing and have been losing from the start of the movie. (One of the reasons that the kids are being taught how to handle weapons has to do with Hitler’s late war plan of using children in the fighting.) The movie takes place between the lines. We understand Jojo is not evil because he is ten-years-old and barely knows what is happening around him. But what about his mother? What does she believe? Has she allowed Jojo to take part in the Hitler Youth to protect him, to protect herself, or what? What about the other Nazis? They seem to know at some point that the war is unwinnable. Their choices in the face of that situation are never boring. Because Jojo’s understanding is somewhat limited, our understanding is limited to, and in that way “Jojo Rabbit” may be very good movie to see twice.

I am amazed again at the acting chops of a child actor. Jojo is played by Roman Griff Davis. This is that kid's first major role in anything (although he does come from a family in the movie business). He couldn’t be any cuter. Almost by default is is heart-rending/warming to see a kid like that go through the Huck Finn transformation in which a good heart ultimately triumphs over the evil indoctrination. This development necessarily pits Jojo against his imaginary friend Adolf. The climatic scene is unfortunately too short, I felt, and my one disappointment.

 Taika Waititi has cemented himself in my mind as one of the more interesting storytellers around. I expect I expect I will try to see all of his work going forward and look up everything I missed in the past.

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