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Showing posts with label jennifer garner. Show all posts
Showing posts with label jennifer garner. Show all posts

Sunday, November 24, 2013

The Dallas Buyer's Club (4/5 Stars)



Ronald Woodruff wasn’t supposed to be the kind of guy that got AIDS. That was something homosexuals got, faggots as Ron would likely call them. He points to a fresh 1980s newspaper chronicling the death of Rock Hudson and decries the massive shame it was that Rock had access to all that Hollywood pussy and wasted the opportunity by being gay. AIDS was also something intravenous drug users got, and Ron Woodruff wasn’t that either. I mean he snorted cocaine and drank heavily and had unprotected sex with plenty of women (we are introduced to him via a threesome under the bleachers at a Texas rodeo), but none of that had anything to do with needles or homosexuality. So when Ron Woodruff passes out from a massive headache, wakes up in the hospital, and is told that he has a T-Cell count of 9 and 30 days left to live, he doesn’t believe it. “There’s nothing that can kill Ron Woodruff in 30 days,” he declares to the doctors and storms out of the hospital.

“Dallas Buyer’s Club,” directed by Jean-Marc Vallee attempts to do two things with the biographical story of Ronald Woodruff of Dallas, Texas. The first thing it does is demonstrate how his terminal illness and his subsequent business dealings with the gay community opened his eyes to society’s intolerance and indifference towards the “homosexual” AIDS epidemic and broke down his own prejudices. The second is an educational primer on the various drugs that were in the process of being approved by the FDA in response to the AIDS epidemic. One being AZT, a drug that is being championed by the FDA but the movie treats as a killer. The other drugs are the all-natural ones that Ron Woodruff starts peddling to the Dallas community. It was Ron’s unshakable belief (based not only the research he did but the anecdotal experience of taking every drug himself before selling it to anybody else) that his drugs, though they did not cure the disease (nothing could do that we learn), would be able to prolong life. They do this by merely making the body healthier in general, whereas AZT, sort of like chemotherapy, kills everything patient included. The movie does the first thing better than the second.

First things first: this year’s award in stunt acting goes to the acting team of Matthew McCounaaghey and Jared Leto, playing respectively Ronald Woodruff and Rayon, Ron’s transsexual business partner. Both have lost an incredible amount of weight for their roles. McCounaghey is perhaps more unrecognizable here being once upon a time People’s Sexiest Man Alive back when he had superfluous muscales and did nothing but dumb romantic comedies. It’s all gone now as if he has shed all the superficial romcom dumbness and what is left is the emaciated frame of a serious actor. To witness the turn in career choices that McCounaghey has accomplished over the last couple years is quite remarkable. “Dallas Buyer’s Club” is the capper. An Academy Award nomination would not be surprising. It is also a relief to witness the return of Jared Leto (Requiem from a Dream) after a five-year hiatus of pop stardom. In addition to slimming down he has put on a dress. The character Rayon apparently is not based on one real person but rather a composite of the gay community. It is an ingenious strategy concerning the age-old problem of capturing a lifetime within a two-hour frame. In this way, Ron’s changing attitude is reflected through his relationship with one particular person rather in several people and the emotional payoffs are far more effective.

I’m going to take a moment and throw in a political comment here, an indulgence I am happily allowed by writing an anonymous blog that nobody reads. “Dallas Buyer’s Club” is a great movie for the fan of Capitalism. Generally it has been said that Capitalism has no morals. But that is not necessarily true. The morals of Capitalism are honesty, equal treatment, and tolerance. A man may not like a person or a group of people, but if he is a true capitalist he will trade with that person for the right price. Racial segregation, Caste systems, exclusionary zoning, and ornerous governmental regulation: all are great enemies of Capitalism. The “Dallas Buyer’s Club” is a great example of how Capitalism transforms the prejudiced man who takes its ideals to heart. Ron Woodruff is above all else a hustler. When he sees that there is a market for unapproved Mexican drugs in Dallas, he sets out to exploit it with rational self-interest and what is born of the Dallas Buyers Club is an unambiguously good collaboration of buyers and sellers trying to help each other survive. Is it evidence that the Dallas Buyer’s Club was a good thing that helped people because Ron Woodruff was able to make money? Yes, yes it is. 

What is not dones too well is the movies’ treatment of AZT. This comes from the subtitle at the end of the movie. It states that: “A smaller dose of AZT combined with other drugs saved millions of lives.” Given the movie I just watched, that line does not make sense. I had just spent two hours watching Ron Woodruff declare that the doctors doling out AZT were murderors, a hospital administator played by Denis O’Hare (an actor that specializes in white collar sleaze) who cares more about money than good science, and a third doctor played by Jennifer Garner who is sympathetic to Woodruff’s cause and at one point is asked to resign because of it. So what is the deal with AZT? Why is the movie telling us with its last line that it works when it does not offer any evidence to suggest that from in the movie? This is the sort of detail that makes the watcher feel the need to look up on Wikipedia the true story, which I have not done yet because I wanted my confusion to be readily apparent in this review.

In cases like this, I always bring up that Oliver Stone anecdote. He was accused of propaganda and his reply was this: how can you tell that my movies are not propaganda? Because they aren’t boring. Propaganda by definition only shows one point of view, and because of that necessary lack of conflict, it is not exciting. A storyteller may have a point of view. A storyteller may have an agenda. But if that storyteller does not give the other side its full due, the story will not be exciting. “Dallas Buyer’s Club,” has this problem. By the end, we see Ron Woodruff time and again being victimized unjustly by the system for arbitrary reasons. The reasons may have been stupid for all I know, but what I do know from watching the movie is that the other side is not getting a fair shake. They are not given the chance to explain themselves. We see plenty of scenes of Jennifer Garner trying to persuade Denis O’Hare of the ineffectiveness of AZT. Instead of giving Denis the opporutunity to respond, the movie simply has him ignore Jennifer. In the end, we are left with only one side of the argument, and because of that the epitath does not make sense.

What is the truth? I’m afraid you may have to do your own research.  

Sunday, October 24, 2010

Juno 12/19/07

The trilogy is complete. The year 2007 gave us three great comedies, all within the same strain of humor, but distinctively different and original. We were first treated with "Knocked Up," then "SuperBad," and now we have the completion with "Juno." They complement each other greatly and I bet it would be really fun if they were shown back to back to back at a Judd Apatow/Diablo Cody party or something. 
Out of the three this one is the sweetest. It has the least raunch and bad taste. Where the Apatow films are laden with obscenities, in this one they are mostly absent. Instead we are treated to an insane amount of slang and jargon, half of which I've never heard before. It's not really a regional thing, its more like the outcome of a really smart, courageous, and bored teenager that comes in contact with a thesaurus. Juno is a very unique girl. She breaks the news of her pregnancy to her sort of boyfriend in a living room set she has moved to his front lawn. There's a tiger rug and she's pretending to smoke a pipe. This is one cool girl, but its not like a "I'm so cooler than you," its more of a "I really can't help myself, I have to do and say weird and unique things."
The movie is quite the achievement in a couple of ways. First, the writing, by Diablo Cody is nothing I've ever seen before. She doesn't sidestep any sticky situations. Take for example, a really nice scene outside the abortion clinic where Juno has a conversation with one of her classmates who's protesting outside. Juno puts on a brave face and tells jokes but the cracks show in the frame. When her friend tells her about her babies fingernails, it hits her even though she tries to talk herself out of it. Ellen Page has her hands full trying to make a rounded charachter out of Juno's sometimes overburdening verbality. The script demands a great performance and she delivers. 
The movie also shows us divorced parents, stepmoms, and inlaws. These are situations that are in the real world all the time but are usually ingnored in movies. Diablo Cody shows a keen understanding of the fractured home landscape. She even concedes that a stepmom can be a cool person. Allison Janney and J.K. Simmons as the parents are very strong supporting charachters. Michael Cera as the boyfriend is inspired casting too. I have yet to see that guy in a sub par project. 
I have two more tidbits of praise and that is to the director, Jason Reitman, who I believe has overcome many of the mistakes he made in his directorial debut. (See my review of Thank You for Smoking). And I would also be curious as to who wrote all those songs for the movie. The soundtrack to this movie features plenty of quiet sweet songs. At least a couple I am going to buy from Itunes, especially the song the movie ends on.