The weird thing about the duo of Harold and Kumar is that
the two actors playing them, John Cho and Kal Penn respectively, haven’t really
found greater success outside of the “White Castle,” movies. If these trio of
stoner road-trip movies prove anything it is that these two can carry a movie
with just enough warmth and gravity to allow an audience to forgive an
absolutely ridiculous plot and plenty of material that should be offensive but
somehow comes off as normal good fun. That should put them in demand one would
think. Perhaps it really has to do with their ethnicity (John Cho is Korean and
Kal Penn is Indian) even though these movies are a sort of debunking of
whatever theory that belongs too. It couldn’t be more plain that the pair are
100% American. They have no accents, enjoy fast food and getting high, and
constantly find themselves in road-trip movies, that most American of movie
genres. But great success in movies these two have not had (actually Kal Penn
now works for the White House. Success? Yes. In movies? No) so I suppose it was
inevitable that they answered the call for another “Harold & Kumar” movie,
this time in 3D because well, why not.
The beginning of “A Very Harold and Kumar Christmas in 3D,”
begins the duo split up. Harold has become a well-to-do wall street worker
newly married to Maria from the 1st movie. Kumar still lives in the
same apartment as before and gets just as high as before. His girlfriend just
left him over two months ago and the place looks like he hasn’t bothered to
clean it since. Impending maturity knocks on the door when his girlfriend comes
over to tell him that she is pregnant. There is also a slight problem in that
Harold is throwing a Christmas party and has not invited Kumar. It is to the
movie’s credit that it takes these problems semi-seriously because it adds some
realistic weight to another completely ridiculous plot involving guys now in
their thirties.
The humor in this movie is all over the place and though not
all of the jokes hit home, there are enough of them for the movie to be truly
funny. In addition, the road trip plot is segmented in such a way that new
characters and situations easily come in, have their moment, and exit. New to
the series is Danny Trejo, perhaps a name you don’t recall but a face you have
definitely seen somewhere, who plays Harold’s father-in-law. Here is a guy on
the level of a Christopher Walken or a Sam Rockwell that makes me smile simply
by showing up. He sets the plot in motion by letting Harold know that it is a
crime against Christmas to decorate a faux tree instead of a real one and
sharing how his mother was killed by a Korean street gang while walking home
with Christmas tree decorations. Harold better have a real tree to decorate by
the time everybody gets back from midnight mass, or else! For the record, we get
to see all of Danny Trejo’s tattoos and they are still super bad-ass. Then, of
course, stopping in for a musical number and to save the day is the actor Neil
Patrick Harris as Neil Patrick Harris, the actor. This calls for an explanation
because as you may recall NPH was shotgunned to death while escaping from a
Texan whorehouse in the second movie. If he can be believed, he is back on
Earth via some sort of divine cockblock. I’m not explaining that any further as
it might spoil the outrageous of it all, but will mention that it is hilarious.
There is something rather special about NPH’s performances in these movies. The big joke is that he is playing “himself.” So when we see him snorting cocaine and employing hookers, he is basically winking at the camera and saying that he, NPH of Doogie Houser M.D. fame, does all of that in “real life.” It is his “reputation” that he is bravely throwing under the bus for our amusement, sort of. One of the more outrageous things about NPH is that he is simply pretending to be a homosexual in public in order to sexually harass women. He does this by inviting the actresses he works with into his dressing room to rehearse scenes, remarking how tense they look, offering a massage to loosen them up, and innocently remarking that he is just one of the “girls” when things start getting weird. According to him, most publicly “gay” guys do this and Clay Aiken is the worst. All of this is done with such a gleeful and brazen smugness that it somehow completely obliterates the line of what should probably be very offensive. The sexual harassment is funny not because sexual harassment is funny. It’s funny because the “real” NPH would never do that, and we “know” that he is only “pretending” to be a sex fiend even though up on the screen is NPH is playing NPH, “himself,” as a sex fiend. It is a brilliant piece of comic misdirection, which makes NPH’s entire performance feel like it is getting away with something (which he is!). It’s on the level with Robert Downey Jr. getting away with wearing blackface in “Tropic Thunder.” As Mel Brooks would say, “It rises below vulgarity.” It’s a great character and performance and NPH should get an Oscar Nomination for Best Supporting Actor.
Other jokes that perhaps they only sort of get away with are
all the ethnic stereotypes. I say sort of because the variety of stereotypes
make them okay simply because everybody (White, Asian, Indian, Jewish, Russian,
Black) is being targeted. However, there are still plenty of these jokes that
fall flat because they are just old. A general rule of humor is that jokes
should never be told twice. I have heard the “All Asians look alike,” joke
about a thousand times. The one in this movie I saw coming miles away. Saying
Asians all look the same is a lazy joke nowadays. It’s time we came up with a
new way to make fun of Asian people.
Finally the 3D employed in the movie is probably how 3D
should be used: and by that I mean, as a joke. 3D generally speaking is more
distracting than engrossing and as such should be used to break the 4th
wall, not to simply supplement a story. There are plenty of 3D jokes in this
movie. Some are better than others. On the whole though, it is not worth the
extra money to see a 3D movie in a theater. You would have as much fun with
this one if you saw it streaming on Netflix.
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