Hmmmm….yummy political sausage….nomnom
Movies about the political process are about as rare as movies about
marriage. We tend to romanticize politics by only making movies about
campaigns, that romantic engagement between candidate and constituency, whose
love for each other is consummated on election night right before the credits
roll. Then like every romantic comedy that ends with a wedding we are left with
the impression that everyone lived happily ever after. Love never faltered and
the impassioned promises made in the campaign speeches were borne into reality
by magical political storks. Abracadabra. Getting hitched/elected was the hard
part and everything after was easy.
“Lincoln” the newest directorial effort from Steven Spielberg, is that incredibly
rare movie that is about the actual work of being a politician. In it, our 16th
President, Abraham Lincoln, spearheads an effort to get the 13th
Amendment, which abolished slavery, passed by the required two-thirds vote in
the United States House of Representatives. How rare is it for a movie to be
about passing a bill in Congress? Well, according to what I’ve rated on
Netflix, I have seen 1700 movies. I went through them all to find something
similar on this topic. I found almost nothing. There are a few television
series that have successfully written about the political process (Aaron
Sorkin’s ‘West Wing,’ Armando Ianucci’s “Veep,” David Simon’s “The Wire) but to
find a political movie that was not directly concerned with an election, I had
to go all the way back to 1939’s “Mr. Smith Goes to Washington.” Is it not
amazing that whenever filibuster reform is discussed on the 24-hour news
networks that they keep bringing up a movie from 1939? We literally do not have
a more current movie to draw upon for examples of the political process. All we
have is “Mr. Smith Goes to Washington” and that short cartoon from schoolhouse
rock “I’m Just a Bill.” So when I say that “Lincoln” is the best movie I have
ever seen about Democracy, you can take that with a grain of salt. The bar is
extremely low.
“Mr. Smith Goes to Washington” is a decent movie and great democratic
propaganda for a nation on the edge of an apocalyptic war with fascism and
communism, but it still makes the same goddamn mistake that every political
movie has made since and in my opinion what has completely gridlocked the
legislative branch we currently have. That mistake is the idea that an
impassioned speech about principles will somehow convince the other side to
change their position. It was bullshit when it worked in the 1939 movie and it
is bullshit now. What I love most about “Lincoln” is that it shows politics how
it should be done: down and dirty in the mud of power, greed, and nasty
compromises.
For this reason and how it is so clearly and efficiently represented,
the writer Tony Kushner should win an Oscar for Best Adapted Screenplay. The
job performed is to represent all constituencies that Abraham Lincoln has to
appease to in order to pass the Amendment. There is the Conservative Republican
led by Preston Blair (Hal Holbrook) who are anti-slavery but prize the
preservation of the Union above all else. Lincoln has to promise them that he
will take into consideration any peace offer by the Confederates, even if
slavery is to remain intact, if it will end the war. Lincoln has to keep this
secret though from the Radical Republicans led by the abolitionist firebrand
Thaddeus Stevens (Tommy Lee Jones). The radicals are not merely for equality
before the law but total racial equality (i.e. going into the south, breaking
up plantations and redistributing property amongst the ex-slaves). Lincoln has
to temper the positions of this voting block in order to make the idea of a 13th
Amendment palatable to everyone else. But even if Lincoln gets the unanimous
support of all the Republicans in Congress he still needs twenty Democrat votes
to get past 2/3rds. Practically all these votes are pro-slavery. So Lincoln
decides to call upon three “fixers” from Albany (James Spader, John Hawkes, Tim
Blake Nelson) to do some bribing. They focus on lame duck congressman who have
lost the past election and will be out of a job come the next term. They are
offered political posts like postmasters and treasury secretaries in exchange
for a “Yes” on the 13th Amendment. Each voter has his own opinions
and motivations. It takes extremely good writing to get everything explained in
such a way that is clear, creates suspense, and does not bog down the momentum
of the story. It is accomplished and then some with enough room for Kushner to
throw in updates from the Civil War and some domestic strife for Lincoln to
deal with, i.e. the hysteria of his historically crazy wife Mary Todd (Sally
Field) and the wishes of his son Robert (Joseph Gordon-Levitt) to join a war
effort that has already cost hundreds of thousands of lives.
This is all rather serious stuff; so much so that one of this movie’s
greatest attributes is that it is also consistently funny. The three “fixers”
provide a good part of the comedic relief but the main component of humor is
Abraham Lincoln himself, played brilliantly by Daniel Day-Lewis. It has often
been chronicled that the historical Lincoln was a great joke and storyteller
and in this movie we are treated to a retelling of his best material. Have you
ever heard of the one about Ethan Allan and the portrait of George Washington
in an English outhouse?
The portrayal of Lincoln in this movie does great justice to the man as
a politician. Many times I have read about politicians who were great at actually
getting things done as opposed to politicians who were just great at making
speeches (think LBJ and FDR as opposed to JFK and BHO). One consistent
attribute is the ability to making others believe that they are in agreement
without any real commitment being made. There are many great examples of that
being done in this movie by Lincoln. The trick is to
listen thoughtfully and then tell a rather vague yet humorous story. For
instance in the beginning of the movie, Lincoln is speaking to a couple of
black soldiers. The black soldiers speak of equal pay with white soldiers and having
black officers someday. Then they press Lincoln on what will happen to them
after the war. “I’m not very good at shining shoes and cutting hair,” one says.
Lincoln then makes a self-deprecating joke about how hard it is for anyone to
cut his hair. “My last barber committed suicide,” he jokes. Then the
conversation is interrupted by a couple of other soldiers and the conversation
topic is eluded. Classic Politician. This great technique goes back thousands
of years all the way to Jesus. Instead of focusing on the details of current
policy that can lead to many minor points of contention, tell a parable vague
enough that everyone can agree with it in theory. The fact that Lincoln was
able to do this in private and at the same time actually craft a definite
specific policy that successfully passed is the essence of his genius. I am of
the opinion that it takes genius to aptly portray genius and that is what makes
this one of the best movies of the year.
Kudos! Right on the mark.
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