Whatever can happen, will happen.
Young Murphy Cooper (Mackenzie Foy) asks her father (Matthew
McConaughey) why she was named after something bad. Her father replies that
Murphy’s Law is not necessarily pessimistic. All it means is that (given enough
time) anything that can happen will happen. The pessimistic side of this looks
at chaotic unforgiving nature and all the ways it can and will disrupt the best
plans of mice and men. But look at it in another light. For instance, if you
believed that humans could adapt to anything, well then, given enough time our
species should be able to solve any problem that the universe throws at it. Of
course, the supposition that must be true is that human beings actually could
someday evolve to be capable of anything, even going so far as to say master
space and time. That is a wildly optimistic notion and it is surprising to come
from writer Jonathan Nolan and director Christopher Nolan particularly since
their non-Batman movies have been great explorations of self-delusion (memory
in Memento, magic in The Prestige, dreams in Inception). But here it is, and it is a
good thing the Nolan’s are in charge of this project because I’m not sure
anybody else could have made it. It is perhaps the most expensive and epic
intellectual exercise since Stanley Kubrick’s 2001: A Space Odyssey and only the Nolan’s have the box office
clout to finance a movie like this. Try to see it in the theater because it is
not going make any sense on a small screen.
The movie starts with humans on Earth confronted with the extinction of
their species. It takes place about fifty years from now. Old Man Cooper
(played by John Lithgow) talks of how when he was a kid it seemed like everyday
something new would be invented. Imagine that, six billion people all wanting
it all at the same time. But something happened in nature. There is this dust
storm blight that kills vegetation. The only crop that can grow now is corn.
The blight feeds on all the Nitrogen in the atmosphere and every year it
creates more Nitrogen, which only makes the blight even stronger. Population
has dropped. Technology has stuttered. Pretty soon humanity won’t even be able
to grow corn and then everyone will die.
The last ditch effort of humanity is a secret NASA mission led by
Professor Brand (Michael Caine) to send a spaceship through a wormhole that has
just been discovered near Saturn to a distant galaxy where hopefully there is
another planet that can sustain human life. Matthew McConaughey, a retired
pilot, is chosen for the job. So is Professor Brand’s daughter, Dr. Brand (Anne
Hathaway), two other guys, and a couple of sentient robots named TARS and KASE.
TARS has a humor setting in his A.I. and provides comic relief.
It is a very long journey and one of the most interesting conceits of
this story is its portrayal of Einstein’s theory of relativity. One facet of
this theory is that as one approaches the speed of light, the slower time goes
for the mover. Another is that proximity to a black hole also slows down time
for the mover. At one point in the movie a trip to a planet near a black hole that
takes merely hours takes many years on Earth. And suddenly Murph Cooper is no
longer played by the ten-year-old Mackenzie Foy but by the thirty-something
Jessica Chastain. (It should be noted how remarkably similar Mackenzie and
Jessica look like each other). I saw a great meme with a picture of Matthew
McConaughey in Interstellar that harked back to his first movie, Dazed and Confused, where he uttered the
memorable line, “You know what I like about high school girls. Each year I get
older but they stay the same age.” Of course this meme changed it a little bit.
Now it reads, “You know what I like about my children. Each year they get
older, but I stay the same age.”
Then there is a cameo by a well-known actor that I hesitate the mention
because none of the advertisment material apparently wanted me to know about
before he shows up quite unexpectedly. It is a great turn by that unnamed
person. Matthew McConaughey continues his bewildering streak of very good
movies. The same can be said for Anne Hathaway and Jessica Chastain. And of course, it looks very impressive, the Black Hole and Wormhole especially.
I don’t think I can say anymore without ruining some of the surprises.
It is worth seeing, that is all.
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