Last year, I saw writer/director Yorgos Lanthimos’s film “The
Lobster” and stated that it was one of the most original romantic
comedies I had ever seen. It was the only film I had seen of Mr.
Lanthimos, who at that point, had been making movies since the 1990s.
After watching “The Killing of a Sacred Deer” I may never see
another of his movies again.
The Lobster’s idiosyncrasies, it’s quirky characters, and its
weird dialogue had the appearance of making sense because of the
absurd fictional world that they inhabited. Having never seen a
Lanthimos film, I suppose I just assumed that when he set stories in
the real world, he would not expect to people to speak and act in the
same unreal way. My assumption was wrong. “The Killing of Sacred
Deer” has no place being set in the real world, but there it is.
The unreality of what is happening on the screen and the unbelievable
way the characters react to it makes it impossible for the viewer to
empathize or care about what is occurring in the story. As a drama,
it failed dramatically. As a comedy, the only laughs it garnered were
the bad kind.
“The Killing of a Sacred Deer” takes its sweet time in getting to
the main conceit of the story. As it meanders, you are left to wonder
what might be happening. Several interesting story-lines seem
possible, slowly the story is developed and you realize that the
story-line that has indeed been chosen is one of the stupider ones. I
will now give it away. A surgeon, played by Colin Farrell, once
negligently caused the death of a man during a surgery. The son of
that man, a shifty and sweaty Barry Keoghan, has put a hex on the
surgeon’s family. Actually, to say it is a “hex” is doing more
explaining than the movie cares to. What happens is that Colin’s
family one-by-one slowly become paralyzed, stop eating, and start
bleeding out the eyes. This happens to Colin’s son first before
happening to his daughter. We do not know how Barry Keoghan is doing
this or whether it a unique hex or has been attempted by anyone
before. There is literally no attempt to explain it.
I guess that would not matter so much if other things were not
missing. After all, many movies are based on otherwise impossible
things happening. But the movie is so deadpan toward the situation,
and its characters reactions are so absurdly understated, that it
seems the movie is making a point of how pathetic they are as they are confronted with otherworldly horror. Is the situation being played
for laughs? People in the theater were indeed laughing when the story
called for the kids crawling along the floor using just their elbows.
But did Lanthimos want us to find children crawling on the floor
because they can’t use their legs anymore funny? Really?
Characters in movies are fictional, yes I know this. But it also says
something about a writer/director who seems to be purposefully
positioning his characters in ways where it is impossible to
empathize with them. What is left is ultimately is a waste of time.
After all, if Lanthimos doesn’t care about whether or not the
sacred deer is killed, why should we?
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