Perhaps the best non-explanation of a thing in the history of moviedom is Back to the Future’s treatment of time travel. Doc Brown points to what looks like (and is) three neon tubes and explains “this is what makes time travel possible, the flux capacitor”....aaand that’s it for the movie’s explanation of time travel. But my point is that this is the best way to explain time travel because time travel is impossible, so there is no point in spending an inordinate amount of time trying to justify it. We’re trying to watch a movie here. In this movie it’s possible because of the flux capacitor and we’re moving on.
The Mad Max series of movies (until this last one) are very good examples of movies not explaining things that are best not explained. We are told that the plot takes place in some future dystopian wasteland where nothing grows and the most prized resource in the world is gasoline. Gasoline is important because seemingly every technology but the internal combustion engine has vanished off the face of the earth giving armed stockcar and motorcycle gangs military superiority. And before you can really question how likely that scenario is, here are 90 minutes of awesome car chases.
A specific example of something not being explained in the last movie, Mad Max: Fury Road, was the missing arm of the female protagonist Imperator Furiosa (Charlize Theron). She shows up as a highly capable warrior who can drive and shoot and fight and she doesn’t have her left arm. No explanation is given or attempted. What did the audience think of this? Well, if they were like me, they would have just assumed she was either born without it (this is a toxic wasteland) or she lost it doing something badass.
In Furiosa: A Mad Max Saga, we are treated to the explanation for how her arm was lost. And now that I have experienced both knowing and not knowing, I can tell you that I prefer not knowing how the arm was lost. In fact, consider this alternate take on the Furiosa movie. The movie starts with a two-armed child. She gets kidnapped by bikers and grows up at the Citadel. Later in the movie, as the character switches actresses from child to Anya Taylor-Joy (late 20s now), she is reintroduced without her arm, the idea being that she lost it somehow, and there is still no explanation given. Think about it, wouldn’t that be kind of awesome.
There is way too much explaining going on in Furiosa: A Mad Max Saga. Just look at the run time, 2 hours 38 minutes. Max Mad: Road Warrior from 1982 was a brisk 96 minutes. Mad Max: Fury Road was the longest of the movies at 2 hours, but still its plot was deceptively simple. That movie starts with a car chase that goes one way and then they turn around and go back to where they started. It’s all over within a few days of movie time.
Here we have a plot heavy movie for the first time and much of it is not the kind of plot that we line up to see a Mad Max movie for, that is, it doesn’t involve car chases in the desert. Sorely missing is the exhilaration of Nicholas Hoult’s performance as the delirious and excitable War Boy Nux in the Fury Road movie (“What a Lovely Day!”). There is a notable big rig fight with a bad guy called the Octoboss, but that is too small a part in this movie, which is full of too many things that mean something. Since the world is impossible, it is best not to dwell too much on what makes it work. I’m not sure I need to understand the political machinations between the Citadel, the Bullet Farm, and Gas Town.
Did Anya Taylor-Joy do a good job? That is hard to say. She certainly wasn’t memorable in the way that Charlize Theron was. Then again, she is not given much to work with. She has next to no lines, and didn’t do anything that would establish her as an action star. We have Chris Hemsworth chewing up the scenery, but there is either not enough of him, or just too much of other things.
I was very impressed by the look of Mad Max: Fury Road when I saw it all the way back in 2015. I had a similar experience watching Furiosa this year that I just had watching Dune 2. That is, I was less impressed by the visuals. I wonder whether it is because the world is not being introduced to me for the first time or because I saw the movie at home on a smaller screen. It is hard to say, though I do believe that the action in Furiosa is inferior to Fury Road. Something about it, well, I just know sometimes when I am watching a CGI car crash or a CGI blood spatter, and it isn't exciting. I wish the creators just figured out some way to do actions scenes without it. Ultimately, CGI is a crutch not a solution. Just watch Road Warrior. I am continually amazed by how well those 1982 action scenes work with no computers at all to rely on. They just have to do a little bit less in frame and employ a little more creativity.
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