The conceit can be summed up in a few sentences. Winston, played by Topher Grace, plays a fugitive accountant for a mobster. He gets picked up by federal law enforcement, played by Michelle Dockery, and immediately surrenders and pleads for a deal. He appears to be much more afraid of his mobster boss then the feds. In order to get Winston to New York to testify in trial a trial that is happening right now (for the purposes of expediency, it is helpfully mentioned that the judge is a hard-ass and won’t agree to an adjournment) the feds charter a small plane to take Winston to Anchorage and then onto to Seattle and then New York. This plane is piloted by Daryl, played by Mark Wahlberg, who is not who he says he is. Spoiler alert, he works for the mobster, and the totality of the movie is contained in his efforts to kill everybody on board either slowly or immediately depending on his present circumstances. I really can’t say more without going into spoiler territory.
What is interesting about this movie is that it has a legitimate movie star, Mark Wahlberg, that seems out-of-place in such a small-scale project. Case in point, Mark plays a supporting character and yet he is the only person on movie poster. Mark's presence is likely explained by its director, one Mel Gibson. This is the first movie Mel Gibson has directed since 2016’s Hacksaw Ridge (a movie I did not get to review because it was unheralded on release, but one I ultimately considered the best of the year), and second movie since 2006’s Apocalypto (one of the more unique movies ever made). Mel Gibson would have directed plenty more movies since 2006 had he not gone off the deep end and said some very awful things. (I am generally forgiving about what people say and in particular what people say in private. For instance my bar is low enough to give Jon Gruden a total pass. Having said that, Mel Gibson said some crazy shit and as far as these things go, his cancellation is one of the more reasonable ones out there). Which is a shame because whenever he does put something out there, regardless of whether it is enjoyable or not, it is usually well made and distinctly original. If Hollywood truly cared about diversity (and you know I don’t), what it should do is employ more people like Mel Gibson because he actually has a different point of view from most of the movie industry. He has a different point of view from most people in general. I see online that he is making a sequel to Passion of the Christ, entitled The Resurrection of the Christ. It is about time, if only because of the tremendous commercial opportunity that it is likely to represent. It is easy to make a lot of money when you are the only person catering to a very deprived audience (see James Cameron’s Titanic and blockbuster movies made for women as of 1997).
“Flight Risk” feels like a director getting taking a practice run on a smaller project just to remind himself how it works. It is competent. The actors do their jobs with respectability. The screenplay is a little too on the nose with Topher Grace’s sarcasm and Mark Wahlberg’s creepy threats, but really, if you have confined yourself to the cockpit of a small plane for 90 minutes, this is basically as good of a movie as you are going to get. It has a brisk running time, enough action, and some of the jokes land. Michelle Dockery is likable. It came out in January. What are you going to do? Hey, at least it gave me an excuse to write about Mel Gibson as a director. I’ve been doing this blog for twenty years and I haven’t had that opportunity.
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