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Showing posts with label jessie buckley. Show all posts
Showing posts with label jessie buckley. Show all posts

Monday, July 18, 2022

Men (2/5 Stars)

 


 Looking at the trailer for “Men”, I had a feeling that this was going to be either a bad or weird movie and probably both. But, the movie was written and directed by Alex Garland, who has made some of the better movies in the past five years including “Annihilation” and the exceptional “Ex Machina”. So, I thought I would give “Men” a chance. The movie is both weird and bad. 

The story is simple (or maybe not). A woman named Harper (played by Jessie Buckley) has been recently widowed. She broke up with a man who couldn’t handle it and committed suicide by jumping off the roof. She decides to visit a cottage in the English countryside for rest and relaxation. The visit is not relaxing for very long. She is stalked by a naked man and then has a series of encounters with other creepy men from the village. Actually, the men are all the same man. Each one is played by Rory Kinnear with different accents, makeup, and costumes. There is a metaphor in here somewhere, but I’m not sure what it is supposed to be. 

This is the second Jessie Buckley movie that I’ve seen that features her wandering around a weird home with weird inhabitants. The first was “I’m Thinking of Ending Things”. (Come to think of it, that movie too had a weird love interest.) “Men” though is more of a horror movie. I think. Well, at least there is more violence and much more gore. Actually the ending is quite gruesome, but after it goes on for quite awhile, you may find yourself considering the spectacle with the expression of Jessie Buckley, as in: Is this still going on now? and where did I leave that hatchet so I can finally put an end to this movie? 

As I said, the men in “Men” are all played by one actor, Rory Kinnear, who is generally underrated. I have seen him play the comic relief in rom-coms like “Man Up” and meld into the bureaucratic background in James Bond movies like “Skyfall” and “No Time to Die”. Given that he is usually a supporting actor, one may then be surprised that he can throw down with great orations as he does in “Peterloo” where he plays the historical public speaker Henry Hunt. In this movie, the most we can say about Rory Kinnear is that he is a very good sport. He gives up the full frontal nudity, grows plants from his face, and tries some silly accents. I hope Alex Garland got what he was looking for at least because one might characterize the performance as embarrassing. 

What is this movie about? I can only really glean one attempt at metaphor. There is an apple tree in the front yard of the house that might be analogous to the apple tree in the garden of Eden. Beyond that though, what is anything else supposed to be? I suspect there may be some message critical about men or how men treat women, but why do you need a vague metaphor for that? Aren’t there enough real world examples that don’t require the use of metaphor? Am I supposed to watch this movie, and come to the realization that a woman’s experience is like being chased around a british cottage by Rory Kinnear in different costumes? 

Is this movie offensive to men? Well, I don’t think so, but maybe that is just because I didn’t understand what the movie may have been trying to tell me. After all, to be truly offended requires understanding. For instance, I got Jordan Peele’s message in “Get Out”. I was offended because I understood it. I can’t say the same for “Men” and this is not one of those movies that was at least interesting enough where I would be curious to hear the director’s commentary. 

One last thing: like “Thor: Love and Thunder” there is a scene that employs CGI to digitally enhance a human body where it should be totally unnecessary. There is a boy character whose face is digitally enhanced so it looks like a young Rory Kinnear. The CGI is really obvious and distracting in a bad way. I don’t understand why a young actor that vaguely looks like Rory Kinnear couldn't be used or why regular makeup was not utilized.



Sunday, September 13, 2020

I'm Thinking of Ending Things (3/5 Stars)

 


I saw “I’m Thinking About Ending Things”, the new movie written and directed by Charlie Kaufman (Eternal Sunshine of the Spotless Mind and Synecdoche New York), without reading any reviews about it. Strange things occurred all over the place. Still I believe I grasped the basic concept of what was happening. My guess was that an old janitor at the local high school was reminiscing (and revising) a memory he had a long time ago when he brought a girl he liked back home to meet his parents for the first time. I was close. After I saw the movie I read an review/interview with Mr. Kaufman in which it was revealed that everything but the janitor going about his day at the school was entirely imagined. There was no memory the janitor was revisiting. The whole thing was a daydream.

 

Is that a spoiler? I’m not sure. A spoiler generally refers to revealing a detail of a plot too early. In this movie, the basic concept is never revealed. You can only guess at it. Furthermore, I’m not sure knowing what the concept is will change how you view the movie a second time. There is much in this movie that is just strange and is hardly justified by the movie’s concept. There is a dog that appears and disappears randomly, a mysterious basement that isn’t so mysterious, a dinner meal that is never eaten. In the third act, the movie delves into ballet and animation. Even now, when I know what was happening, I could not tell you why most of the strange choices were necessary. They appear to be arbitrary to me.

 

This is the sort of argument I would level against a David Lynch film, but I have also like some of what David Lynch has done (the Twin Peaks tv show in particular). And I liked the movie The Lighthouse last year, so strange happenings by themselves are not a complete turn off to me. However, there is a problem with static scenes that simply go on too long to be anything but boring after a while. There are two scenes that take place entirely in a car. Each must be at least fifteen minutes long and contain nothing but dialogue. Kaufman changes the camera angle a bunch of times, but that is not enough. After a while one cannot stave off the feeling that nothing has happened for an exceptionally long period of time.

 

The concept when finally understood (I recommend reading articles that explain this movie either before or after seeing it) is very sad. Apparently, this old janitor never got far in his love life because he was always so terrified at bringing a woman home to his depressing farm to meet his weird parents. Even his imaginary girlfriend (here played by Jessie Buckley, his imaginary self is played by Jesse Plemons) does not seem to like him. Even though she is a creation of his mind and implanted with various bits of culture he has picked up over the years (landscape painting, Pauline Kael movie reviews, his favorite poem), she can’t help want to end the relationship, thus the title. I can’t help but think of Fight Club, which was about a man who so loathed himself that his imaginary friend wanted and proceeded to beat the shit out of him.

 

I’m not about to tell Charlie Kaufman to stop being so depressing. (Surely solitary high school janitors deserve movie as much as anyone else.) However, it may be a good idea for him to stop directing his own screenplays. His best movies employed such inventive directors as Spike Jonze (Being John Malkovich, Adaptation) and Michel Gondry (Eternal Sunshine of the Spotless Mind). They brought a colorful energy to Kaufman’s writing that is sorely missing from the bland palette of Kaufman’s own directorial visions (Synecdoche New York and Anomalisa). Perhaps if Kaufman went back to only writing his movies, he could find more time to make more of them. I note that Kaufman has only made two movies in the past decade. That is not nearly enough with someone with so much raw talent.