Most popular movies spawn sequels. This is the
case when we are more in love with the characters and/or the movie
stars. “A Star is Born” is the type of movie that finds its
staying power in its archetypal plot. This particular plot can be
categorized as an evolutionary offshoot of Pygmalion, that ancient
myth about a male sculptor who labors over the sculpture of his
perfect woman. The goddess Aphrodite is so impressed by his creation
that he deigns to grant one wish of the sculptor. The sculptor wishes
that his perfect woman was real. Aphrodite grants that wish and the
perfect woman becomes flesh, climbs down from her pedestal and
embraces the artist. This myth has as its progeny in every
“make-over” play and movie that followed, the best “My Fair
Lady”. The “A Star is Born” plot is disarmingly simple but
powerful. A famous man spies a talented but unknown woman. He helps
her with her career. She becomes a star. Meanwhile, his personal
demons and substance abuse set his career path on a downward
trajectory. The movie is especially powerful in its treatment of its
themes. Fame has both good and bad facets. Personal relationships are
both a help and a hindrance. Art is created by both good fortune and
personal destruction. Meanwhile we are treated to mandatory great
performances, that which must attest as to why the Stars in the story
should be considered Stars. For this reason, “A Star is Born” is
continually remade. You know the story, but then you’ve always
known it. What is interesting is how it is being done this time. And
of course, the success of the movie ultimately depends on the “A
Star is Born” test: The plot states that the characters are Stars?
Do the actors and creators of this movie live up to this description?
A Star is Born (2018)
was directed by the actor Bradley Cooper who also has a writing
credit. along with two other screenwriters and a host of other story
credits for the past three iterations of this movie. Bradley Cooper
also acts in this movie in the lead role of Jackson, a country music
rock star. I don’t know if he can actually play the guitar or
whether that is actually him singing, but it sure looks like it.
Bradley Cooper also speaks fluent French. Just thought I’d throw
that out there. The look and feel of A
Star is Born is
a simple and straightforward style. You get the feeling that it does
not really matter that Bradley Cooper is the director. However, one
must recognize that the director’s invisibility is also a choice of
the director. Bradley Cooper has decided to draw attention to his
characters not his director’s self. This is probably a good idea.
Bradley Cooper is
eminently believable as a country-music star named Jackson. One
night, Jackson, needing a drink after a concert, randomly walks into
a bar populated by drag-queens. They are tolerant of him and he of
they. The drag-queens are having a revue. It’s almost all
drag-queens, but they have made an exception. An old employee of the
bar named Ally, played by Stephanie Germanotta aka Lady Gaga,
performs a perfect rendition “La Vie En Rose”. Jackson falls in
love with Ally’s talent, if not yet her person, at first sight. It
is important to stress here the importance of this scene and how it
is acted. We as an audience have to come to realization along with
Jackson that we are watching a first-rate albeit unknown talent. To
do this, Lady Gaga has to sing and perform a great version of “La
Vie En Rose” without production value, backup, or flash. She does.
The pipes on that girl. Holy shit.
Here is where the movie really works and what makes it arguably the
best “Star is Born” to date. The soundtrack of this movie is
first rate and performed by fantastic artists. Bradley Cooper can’t
be said to be a great musician or vocalist, but he doesn’t
noticeably suck either. I liked his songs. Lady Gaga just absolutely
kills it every time she opens her mouth and/or is on some sort of
stage. What is also interesting is the variety of music in the movie.
Jackson has some good fast and slow country songs. Lady Gaga starts
out in this vein and then, true to her character, she becomes her own
star with her own voice, which in the 2018 version includes pop
songs. There are also the customary romantic ballads. Like the best
musicals, there isn’t a song which makes you want to fast forward
the movie to the better songs. Can Lady Gaga act? Yes, and with brown
hair. I bet she can speak fluent French too. These freaking talented
people.
A Star is Born is
further populated with interesting choices for supporting characters.
Ally’s father is wannabe crooner turned blue collar limo driver. He
is played by Andrew Dice Clay, a former comedian, who seems to have
gotten out of bed playing the role. There is a certain warmth that
one would not expect, but when he beams with pride about his
daughter’s success you totally believe it and feel enthused with
him. Another character that flits into the movie is an old colleague
of Jackson, that had lived fast for a while and then moved on. He is
played by the comedian Dave Chappelle. Something about the way
Chappelle speaks, his laid back delivery of precise words, sounds
preternaturally wise. I enjoyed his presence. The movie is populated
with non-actors (I think the pop producer character might be an
actual producer). They all do fine work.
Is this the best “A Star is Born”. Well, I wouldn’t know. I’ve
only seen the Judy Garland version. I can say this one is better than
that one. I never bought a forty-year old Judy Garland as a
twenty-year old neophyte (whereas Lady Gaga here seems to be playing
her own age). I’m pretty sure this is better than the Barbara
Streisand version simply because I’m pretty sure Babs wouldn’t
allow her ego to act like she wasn’t a Star the entire way through
the movie. The first movie I heard does not have any music. A bet
this “A Star is Born” is the best one. I look forward to the next
one, like thirty years from now.
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